Schmitz was the head of Pro Musica, promoting Franco-American musical relations, and was able to offer Ravel a $10,000 fee for the tour, an enticement Gershwin knew would be important to Ravel. To this end, upon his return to New York, Gershwin joined the efforts of Ravel's friend Robert Schmitz, a pianist Ravel had met during the war, to urge Ravel to tour the U.S. Gershwin strongly encouraged Ravel to come to the United States for a tour. ![]() Gershwin called it "a rhapsodic ballet" it is written freely and in a much more modern idiom than his prior works. ![]() After his initial student audition with Ravel turned into a sharing of musical theories, Ravel said he could not teach him, saying, "Why be a second-rate Ravel when you can be a first-rate Gershwin?" That 1926 trip, however, resulted in a snippet of melody entitled "Very Parisienne", that the initial musical motive of An American in Paris, written as a 'thank you note' to Gershwin's hosts, Robert and Mabel Schirmer. ![]() Although the story is likely apocryphal, Gershwin is said to have been attracted by Maurice Ravel's unusual chords, and Gershwin went on his first trip to Paris in 1926 ready to study with Ravel.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |